Poemusart of the Day

Where Are You, God's Spirit?

Music by Elias Vance · Poem by Kahlil Gibran · Art by Layla al-Mir

The Poem

A Lover's Call Xxvii Poem by Kahlil Gibran

Where are you, my beloved? Are you in that little Paradise, watering the flowers who look upon you As infants look upon the breast of their mothers? Or are you in your chamber where the shrine of Virtue has been placed in your honor, and upon Which you offer my heart and soul as sacrifice? Or amongst the books, seeking human knowledge, While you are replete with heavenly wisdom? Oh companion of my soul, where are you? Are you Praying in the temple? Or calling Nature in the Field, haven of your dreams? You are God's spirit everywhere; You are stronger than the ages. Do you have memory of the day we met, when the halo of You spirit surrounded us, and the Angels of Love Floated about, singing the praise of the soul's deed? Do you recollect our sitting in the shade of the Branches, sheltering ourselves from Humanity, as the ribs Protect the divine secret of the heart from injury? Remember you the trails and forest we walked, with hands Joined, and our heads leaning against each other, as if We were hiding ourselves within ourselves? Recall you the hour I bade you farewell, And the Maritime kiss you placed on my lips? That kiss taught me that joining of lips in Love Reveals heavenly secrets which the tongue cannot utter! That kiss was introduction to a great sigh, Like the Almighty's breath that turned earth into man. That sigh led my way into the spiritual world, Announcing the glory of my soul; and there It shall perpetuate until again we meet.

About the Poem

In Kahlil Gibran’s “A Lover’s Call Xxvii Poem,” a speaker desperately searches for a beloved who has become a divine, almost ethereal presence. The lines weave through imagined scenes—watering flowers in paradise, praying in a temple, or reading among books—while grounding the search in vivid memories of their first meeting, shaded walks, and a farewell kiss that revealed heavenly secrets. Gibran blends earthly longing with spiritual yearning, portraying love as a force stronger than time and capable of unlocking the soul’s deepest truths. The mood is reverent and aching, hovering between joyful recollection and the loneliness of separation. The speaker’s stakes are immense: they are not merely missing a person but seeking a soul-companion who embodies God’s spirit everywhere, and whose kiss became an initiation into a timeless, spiritual world where their reunion will be eternal.

About the Music

Elegy for the Beloved by Elias Vance

Elias Vance’s Elegy for the Beloved is a haunting Ambient Classical composition that unfolds at a slow, deliberate tempo, built around a solo cello melody that aches with melancholic beauty. The cello’s deeply resonant lines are supported by soft, distant piano chords and ethereal, floating strings, creating a spacious and yearning atmosphere that evokes a sense of profound loss and gentle remembrance. The piece conjures the emotional weight of a farewell, yet retains a fragile, luminous quality, reminiscent of the minimalist, introspective works of composers like Arvo Pärt or Max Richter. Vance masterfully balances solitude and expanse, allowing each note to breathe in a quiet, cinematic soundscape that feels both personal and universal, making it an ideal piece for reflective listening or contemplative scenes.

About the Art

Spirit in the Field by Layla al-Mir

In Spirit in the Field, Layla al-Mir presents a vertical, upright composition that embodies Symbolist Romanticism through an ethereal, painterly style with visible brushstrokes. The focal point is a solitary, translucent figure composed of soft light and spirit, standing in a sun-drenched field at dusk while tending to glowing flowers, their gaze fixed straight ahead. In the background, a ghostly, faint second figure of a man watches from the edge of a dark forest, creating a haunting contrast between presence and memory. The sky is a wash of deep orange and purple, evoking the twilight mood of Romantic painters like Caspar David Friedrich. Through the interplay of spirit, nature, and the liminal boundary between life and the afterlife, al-Mir crafts a scene that is both serene and melancholic, inviting contemplation of the unseen forces that linger in the landscape.

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